Ingvar Kenne
Raukura Turei
Brian Rochefort.
day01. is pleased to present Obsession, an autumnal exhibition bringing together three artists, Ingvar Kenne, Raukura Turei and Brian Rochefort. All three artists share examples of ongoing bodies of work, celebrating their deep and focused interests inspired by the land, the natural world and all its alluring imperfections.
“Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working.”
—Richard Serra
Obsession.
23 May –– 28 June 2025
Exhibition View
Exhibition View
Exhibition View
Exhibition View
Exhibition View
Exhibition View
Exhibition View
Ingvar Kenne, Koonalda Cave on Mirning Country [Nullarbor NP, SA], 2022, Series: a portrait of [country], archival pigment print on cotton rag paper, Large : 154 x 124 cm, ed 2/4.
Ingvar Kenne, Barkindji, Ngiyampaa and Mutthi Mutthi Country [Lake Mungo NP, NSW], 2022 Series: a portrait of [country], archival pigment print on cotton rag paper, Large : 154 x 124 cm, ed 1/4.
Brian Rochefort, Crater #303, 2018, Ceramic, glaze, glass fragments, 43.2 x 38 x 35.5 cm.
Raukura Turei, Kerewhenua Dust, 2024, Kerewhenua (yellow ochre), aumoana (blue clay) onepū (black manganite sand) polymer binder on linen, 45 x 35 x 3 cm.
Raukura Turei, Nau mai e hine, 2024, Kerewhenua (yellow ochre), aumoana (blue clay) onepū (black manganite sand) polymer binder, oil stick on linen, 35 x 25 x 5 cm
Ingvar Kenne,
Pandanus on Ninene Country [Western Arthurs, Southwest NP, Tasmania], 2023, Series: a portrait of [country], archival pigment print on cotton rag paper, Small Diptych : 104 x 168 cm, ed 1/7.